| Alternative Names |
'Damul' was the name I have mostly come across it called. 'Damu' is the name used by Timisul (the same as 'Damul' but without the definite article). 'Damn All' is a punning English joke name. |
|---|---|
| Formation | Circle. V-hold. |
| Dance Structure | (Ax4 + Bx4 + Cx4 + Dx2) repeated throughout the music. |
| Music Structure | 4 counts/bar, 4 bar phrases, distinct music for each part. |
| Music Speed | 130 counts/min accelerating to 160 counts/min. |
| Source | Common version from Sally Fletcher in Ipswich, UK, circa 2001. Alternative version from Nicolae Stănescu in the Timisul SIFD day course in London, UK, on 2008/11/2. |
Disclaimer: Mistakes are quite likely in the notes and no guarantees are made as to accuracy. There may be other versions of the same dance or other dances with the same name. Music may differ, particularly in speed, introduction and duration, between performers. The division into parts, bars & counts might not be standard. These notes of the dance are freely distributable (under GPL or CC-by-sa) in so much as the note's author's contribution but the choreography and/or collection were by other people and so their copyright might apply to the dance itself. Better than using notes, go to a dance class where it is taught.
A fast (and accelerating) energetic Romanian dance which has long been well known in the UK Balkan dance repertoire. Although it has 4 sections, none are difficult in the steps, all fit the music and the music is distinct for each part. The main catch is in the relentless energy & increasing speed.
The 130 to 160 counts/min is the speed range of the original music I learnt it too. It went through the sequence 3 times. I have also taught the dance to music altered to go through 5 times and reaching 215 counts/min, which is somewhat difficult to keep up with in Part D, for humorous effect as the last dance before an interval in a session of mostly slow dances.
The version I learnt as common in the UK is the main one described below. The slightly different version I learnt from Nicolae Stănescu is described at the end where it differs.
Style: Upright, bouncy & frantic.
One full set of Part C music (8 bars).
Summary: R side, L close, R side & R hop with L kick. Mirror.
| Start | Facing the centre of the circle. | ||||||||
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| 1 |
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| 2 | Repeat bar 1 in mirror image (L side, R close, L side, L hop). |
Optionally, to make it even more energetic, do L across behind on count 2 so as to travel further and/or do the steps in counts 1-3 running.
Summary: Touch R toes across, toes side & heel infront. Ditto L.
| Start | Facing the centre of the circle. | ||||||||
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| 1 |
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| 2 | Repeat bar 1 in mirror image (L touch toes across, touch toes side, touch heel infront, close). |
Optionally, to make it even more energetic, do it with a hop on the supporting leg on each count.
Summary: Brush R forwards & backwards. R then L tightly across behind.
| Start | Facing the centre of the circle. Weight on L leg with R raised behind. | ||||
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| 1 |
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| 2 |
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Unlike other parts, it does not repeat in mirror image. It can be done with a hop on the supporting foot on each pair of counts. Alternatively it can be used as the gentle resting part of the dance.
Summary: Pas de Basque R. Mirror. Step R & L. Pas de Basque R. Mirror all.
| Start | Facing the centre of the circle. | ||||||||
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| 1 |
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| 2 |
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| 3-4 | Repeat bars 1-2 in mirror image (Pas de Basque L, Pas de Basque R, L side, R in place, Pas de Basque L). |
Unlike other parts, it is only done 2 not 4 times as it takes twice as many counts.
These are small flat footed Pas de Basques not high legged Scottish ones (I find it very tempting to do big Scottish ones when the music is not fast but they are not traditional in this dance).
Summary: In Part C touch R across infront before swinging behind. In Part D do the Pas de Basques crossing, do the 3 of them together before the side steps & lift in side steps.
The version taught by Nicolae Stănescu of Timisul dance ensemble from Timisoarsa in Romanian was almost the same as the version common in the UK repertoire. Parts A & B were as the same the common version. Part C was as the common UK version other than that it had in addition a touch of the R foot toes to the ground close to the L of the L foot on count 3 of bar 1 (i.e. R leg swings initially close crossed over the L before going behind instead of just slowly going behind).
Part D was slightly different to the common version in both sequence (3 Pas de Basques then 2 steps in place rather than 2 Pas de Basques, the 2 steps & 1 more Pas de Basque) and style (it was more energetic with the Pas de Basques being crossing ones & the free leg lifting across in the steps in place). I.e.
| 1 |
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| 2 |
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| 3-4 | Repeat bars 1-2 in mirror image (Pas de Basque with crossing L, ditto R, ditto L, L side R close lifting L, L in place lifting R). |