Cotswold Notes: Adderbury: Shooting [aka Beaux of London City]

Basic

This consists of Double Kick Steps starting RF.

Double Kick Step

A step-hop with two shakes of the raised foot, e.g. a R one is leapRF raising Lft infront over Rft and hooking Lft sharply backwards a little and moving it forwards again ready to hook back sharply again in the hopRF that follows. The kicks are sharp with abrupt stops but with very little amplitude. Similarly, the leap and hop are very low [the leap would just be a step if there was time to move the Lft from kicking to supporting]. The step does not travel far, the leap being more of just a change of supporting foot than a travelling motion. This is a rather awkward looking staccato step that needs a lot of tension.

Music

It is distinctively staccato. It ends abruptly when the musician is shot.

Walk Round

Miss out the capers [they would not fit in which the low steps of the rest of the dance].

Ending

Instead of a normal All Up, on the last shoot of the last Ch, all dancers shoot at the musician(s) and freeze whereupon the music abruptly stops

Chorus 1 & 4 = Clash Across

(D1 & D6 face each-other and clash stick butts to floor RB with stick verticalish then clash stick tips to floor RF with stick tipped approx. 45 deg below horizontal then clash sticks with each-other forehand with sticks still low and tipped down. This takes one bar with clashes on beats 1, 2 & 3. D2 & D5 then do likewise then D3 & D4 then everyone simultaneously [except that they clash with their partners instead of corners to save a collision in the middle].) x 2

Chorus 2 & 5 = Shoot Across

The same as Ch 1 & 4 except that dancers Shoot [mime firing a shotgun using the stick as the imitation gun and stamping RI to imitate the bang] each-other instead of clashing. There is no need to aim at partners instead of corners when everyone is doing it together because there is no contact.

Chorus 3 & 6 = Shoot Up

The same as Ch 2 & 5 except that the Shooting is done with the guns/sticks pointing vertically upwards.

Source of Information

Learnt as part of Lagabag Morris’s dance repertoire.

Further Information

This page only contains features specific to this dance. Where not specified, the features of this dance are in common with other dances in this tradition.


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