Cotswold Notes: Lichfield: Millie’s Bequest

Props

Two long sticks.

Verses

Step in Line | Ch | Back to Back | Ch | Cross Over | Ch | Round in Four | Ch | Back to Back on the Sides |Ch.

Phrasing

(A+Bx2)x5 because there is no Lichfield Hey.

Basic

2 triple steps.

Clashing

Clash own sticks together at the end of every verse [but not at the end of Ch or half way through verses].

Start

Do three Huckle Steps and a Caper before the first phrase of music of the dance proper.

Ending

End with four capers facing up. Sticks down until last caper when they go up and cross with a clash then stay there.

Step in Line

2 triple steps on the spot facing up [start stepping onto outside foot] then Galley Over Capers 180 deg outwards. Repeat facing down [needs a quick fudged change of leading foot] with a 270 deg turn at the end to face in.

Cross Over

Pass partner Rsh in 2 triple steps [starting stepping onto top foot] to other side of set and Galley Over Caper 180 deg upwards on the spot. Repeat but Lsh, bottom foot & downwards to place.

Round in Four

Do this in two subsets of 4 dancers [D1, D2, D3 & D4 separate from D5, D6, D7 & D8] simultaneously.

In the subset, everyone dances round cw to the opposite place in 2 triple steps. 1st corners cross in 2 Capers to place whilst 2nd corners step-hop in place then vice-versa. Repeat all that but acw instead of cw.

Back to Back on the Sides

D1 & D3 together do a Back to Back with D5 & D6 [the pairs do not interleave unlike in the Border Peopleton dance]. The other side do the same move at the same time.

Chorus

( (Clash R stick to floor [1st bar, beat 1], ditto L [beat 3], clash R sticks tips up forehand [2nd bar, beat 1] and ditto L [beat 3]) x 2. Then sidestep R [1 bar] & L [1 bar] then Galley Over Capers Right 360 deg.) x 2.

Variation

Don’t double the rather boring Ch. [Source = the phrasing in Mally’s sheet music book.]

Source of Information

Learnt as part of Lagabag Morris’s dance repertoire.

Further Information

This page only contains features specific to this dance. Where not specified, the features of this dance are in common with other dances in this tradition.


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