Cotswold Notes: Lichfield: Ring O'Bells

Props

Two long sticks [one in each hand, held at the centre].

Verses

Round | Ch | Back to Back | Ch | Lichfield Hey | Ch |Heading Up & Out | Throw sticks at musician.

Phrasing

(A+Bx2)x2+(Ax2+Bx2)+A because the separate Heading Up & Heading Down verses are replaced by a combined one at the end.

Basic

Step-hop.

Chorus

(Clash up forehand Rh with person to [your] right of partner [mime clash in the air if there is no-one to clash with] with stick almost vertical with downward motion like ringing a church bell. Ditto Lh with partner. Ditto Rh with person to left of partner. Ditto Lh with partner. [The 4 clashes take 2 bars, clashes beats 1 & 3 of each bar.]) x 2. Turn 360 deg up [odds acw starting with Rft over, evens cw with Lft] in 4 Capers [2 bars]. Hold your Lh stick out horizontally to next person cw around the set and clash with your Rh stick thrice on the Lh stick of the person acw of you [2 bars].

Heading Up & Out

Heading Up in 4 bars [done by missing out the on the spot part & the capers] back to place. Then like the first 2 bars of Heading Up again but end up in a line facing musician in the order [left to right] D7 D8 D3 D4 D1 D2 D5 D6. 3 Capers & Show [clash sticks crossed together above and slightly behind head].

Show

For the Show at the end of verses, clash ones own two sticks together in a Saltire cross arrangement up above and slightly infront of ones head. [Note: the clash is on the penultimate beat of the bar not the last beat.]

Ending

After music has stopped, throw sticks at musician. N.B. It is sporting to aim at the ground just infront of the musician so the musician can dodge them.

Alternative Chorus

Instead of turning 360 deg up in the Chorus in 3 Capers, Lagabag use a Galley Over Capers [odds acw starting with Rft over, evens cw with Lft].

Source of Information

Learnt as part of Lagabag Morris’s dance repertoire. The traditional version of the Chorus came from Mike Barclay.

Further Information

This page only contains features specific to this dance. Where not specified, the features of this dance are in common with other dances in this tradition.


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